DANSTOCK

by Thomas Pace on February 5, 2013

This Thursday a good portion of the Chicago music community and its supporters will come together at Lincoln Hall for the first annual DANSTOCK music fest. Aptly named for its founder Dan Stock, DANSTOCK (get it?), is a fundraising event for the Robert H. Lurie Cancer Research Center. And while the money goes to fund cancer research, I think I speak for many when I say that I will be there to honor our good friend Dan.

I met Dan about twelve years ago through the good people at Uptown Recording. Uptown had just made the big move from basement studio to grade-A commercial recording facility and was still growing into its new building when Dan came in to do a record and basically never left. A talented musician, he soon proved that he was every bit the artist behind the mixing board as well and quickly built a name for himself as a producer with a gift for getting the most out of the bands he recorded (including DeXter, a band I play bass in). After a session with Dan you felt like he was an honorary member of your band.

While over the years Dan and I were always staunch supporters of each other artistically, I’ve also been lucky enough to have collaborated with him a number of times including a brief stint when he played keyboards in a band I fronted called RUSK, and “Friend or Foe,” a student film of Dan’s for which I wrote the script and acted. Dan engineered and recorded the song “Life in One Day” from my first solo Cd “Walking Distance” and took the pictures for the graphic art of my third Cd “Electrocaine.” He is one of the few people I talk to without filter or fear of judgment. His input and advice have been an integral part of my creative process for a decade.

If you ever met Dan Stock you would almost certainly remember him. If not for the long wavy mane of hair that grew from his head as if trying desperately to escape, or the beard that grew with similar design, then for the contagious energy that he radiates like heat from the sun. If you ever had the good fortune to see him perform with his rock trio BRUSIER, with his Les Paul slung low and double stack attack, the way he jumps and screams from the stage, you would know, as I do, that Dan is truly a star and a sight to behold.

I guess it was about six or seven years ago when Dan first developed cancer. Melanoma. It was a strip of skin on his back that the doctors made short work of and for a long time it seemed like an isolated episode and was soon all but forgotten. Dan moved on.  He and his wife had a beautiful daughter, Charlie, and he added devoted stay-at-home-dad to the long list of the hats that he wears. Being a stay-at-home-dad myself, Dan and I seemed to find comfort in our commonalities and for the last four years or so Dan and I met for breakfast every Friday. It was often the only social event in my calendar for the week and I found that I started looking forward to it as early as Tuesday. We spoke of everything. From art to politics, sports to our childhoods.

It was also right around then that the cancer came back. A lesion on his brain. Then a tumor in his leg. Then a tumor in his back. Each time he would be treated and seemed to return to his normal self only to learn shortly there after that the cancer had returned and that more treatment was necessary.

This cycle played it self out I don’t know how many times. It was impossible to tell because throughout his battle Dan has kept his cards very close to his vest. He never complained. He got his work done at the studio producing bands and doing much of his finest work. He continued to pursue music and recently started writing music for a new project. To see Dan, you would never know, but the cancer was winning. In the last few months Dan was unable to make more and more of our Friday breakfasts due to his treatments and the absolutely brutal toll they took on his physical being. But Dan is a warrior and warriors fight.

When we got the news that there is no more that doctors can do for Dan and that it’s time to concentrate living the little time he had left, those who know him were devastated. But not Dan.

Since being released from the hospital into hospice care, Dan called on his friends to help organize DANSTOCK (thank you Dennys and O’Conors and everyone else). An event, not to raise money for himself or his family, they are going to be alright, but to raise money for those who did so much for him when he needed it most, the Robert H. Lurie Cancer Research Center. That is just Dan’s style.

There are a lot of things that people may not know about Dan.

He is an avid and capable cyclist.

He is not only a great guitarist and songwriter but a classically trained pianist (among other musical talents).

He can throw a baseball harder than anyone you know.

He is incredibly smart and an amazingly quick study. He learns with remarkable ease.

He is self-motivated. No one has ever had to tell Dan to get his work done much less do it for him and his work always gets done.

He takes himself seriously.

He’s a neat freak.

He hates onions.

He has faced death the same way he lived his life, with purpose and without regret. In his too short life, Dan has lived the value of a hundred years or more. I am only sorry that the world will not benefit from his being among us for forty more years. The man is a rare gem.

Last week I had a visit with Dan at his apartment and while I was there he was meeting with his hospice nurse. They were discussing the dosage of pain medication dispensed by a machine to which Dan is constantly connected. Dan was asking that the dose be lowered because, while it helped with the pain, it was fogging up his head and he wanted to be able to think clearly. The nurse was agreeable and while she programmed the machine to give a lower dose she remarked that it was the first time she had ever programmed a lower dose in a situation like Dan’s. She said that normally people in his position only ever need the dosage increased.

That is Dan in a snapshot. There is no one else like him. No one.

So buy a ticket to DANSTOCK. Help us help the Robert Lurie Center fight cancer. But more importantly, join us to show our respects to a great man that leads by example and follows no one and left a wake of inspiration behind him. A man that showed us how to live, as well as how to die.

We love you Dan.

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Same Old Story

by Thomas Pace on September 13, 2012

A number of people have asked me about the opening track of the new record. The song, entitled Faith, tells the tale of a girl who lost herself and her way and is told through the eyes of one who loved her.  This is a character I have written about a number of times before, most notably in a song called “Pretty Little Girl in Blue” off the “New American Way” Cd.

Certain elements seem to always be the same. The protagonist (in this case, Faith) has met her tragic end after getting caught up in a destructive lifestyle. The story is told by a narrator who laments that he couldn’t do more to help his friend/lover and is now struggling with the guilt that comes with watching a friend fuck up his or her life while being helpless to do anything about it.
I’m not sure why I’m drawn back to this story over and over. My guess is that it might be because a can so easily relate to both the narrator and the protagonist. In my day, I watched more than one friend’s life spin out of control as I searched for ways that I could help, to no avail. It’s a terrible and helpless feeling.
At the same time, I suspect that there have been times in my life when many of my friends have watched me and worried about where my life was heading. Times when I was out of control and those that loved me were powerless to stop the slow-motion train wreck that my life had become.
It’s over now.
By now there is considerably less drama in my life. My friends, generally speaking, seem to be doing well. The same might be said for myself (?). Still, the story appeals to me. It calls to me even. To me it serves as an effective analogy for the things in my life that worry me that I cannot change. It serves as a reminder that love is not control and that control is often merely an illusion, even when it comes to our own lives.
It’s so sad to see what became of Faith.
Or so the story goes.

http://soundcloud.com/thomas-pace-1/faith

http://soundcloud.com/thomas-pace-1/pretty-little-girl-in-blue

http://soundcloud.com/thomas-pace-1/angel-lee

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THE BIG BIG, BIG BIG SHOW

by Thomas Pace on July 4, 2012

Happy 4th of July everybody.

I’m checking in one last time before our first show in a year. It’s been a good week. Got a little write-up in the Illinois Entertainer.

Richard Milne will be spinning us on WXRT tonight at 9:55pm as part of the Local Anesthetic Capsule and then again on the day of the show (Saturday, July 7th) at 4:55pm.

Seems like all of our ducks are in a row. The only thing missing is you.

So do us both a favor, call up the sitter, cancel your other plans and meet me on Saturday night at Martyrs’.

I’m serious.

Here are just a few reasons why it’ll be well worth your while.

Do you like beer? There will be beer.

Do you like live music? That too.

Pretty girls? No doubt.

Handsome men? Did I mention there will be pretty girls?

So come on out, I’ll play you a song. Hell, I’ll even dedicate one to you.

Need I say more?

Didn’t think so.

So don’t be stupid.

Come to the fucking show.

I’m serious.

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Let’s Meet the Band

by Thomas Pace on June 18, 2012

There are a few new faces in the band so let’s get acquainted with them shall we?

T.R. Findlay has replaced Sue Zindle on bass (we wish Sue the best of luck in L.A). T.R. is a friend of the studio (Uptown Recording) and has quickly made himself indispensable to us as a solid player with a fine ear and great back-up singer.

Also, Tom Slater has joined the band on keyboards. Tom has been helping me out by singing on my records for years and is a talented singer-songwriter in his own right. I was finally able to talk him into joining our band after courting him for what seems like forever.

And of course, Brian Wilke still joins us from time to time on pedal-steel (he is a bad-ass mo-fo).

Beyond this, Matt Denny still plays lead guitar (like a boss) and Glenn Hara is still our drummer and generally the band’s voice of reason.

Since the band has been on hiatus for the last couple of years, it’s important to us that we show people our live shows will be as good as ever. Better. So, we’ve been really slaving away in rehearsal and I think it shows.

In my opinion, there are very few experiences like that of being in a band while it effectively sharpens itself. It’s a kind of “before your eyes” magic that is completely thrilling because, while you are a part of it, you are also only a part of it, and when a band really gets comfortable with itself the music becomes much greater than the sum of its parts.

So, you rehearse, over and over and over again. The is goal is to get “tight.” That’s the measure of a band isn’t it, to be “tight”? Of course it is. Still, in truth, there is yet another critical layer, a counter-balance, if you will, within the tightness that a band works achieve. Great bands, in addition to being “tight,” are also “loose.”

A looseness within the tightness (it might sound silly but it’s absolutely true). A band wants to be tight enough to hit all the dramatic points within the arrangement a song, but loose enough to play and/or improvise around these points. It’s a state only achieved with tons of practice.

This is where our band is now. Tight and loose (insert your own joke here). It’s taken a lot of patience and hard work to get there. A lot of “buy-in” and maybe even a little suspension of disbelief from everyone in the band. Still, we made it.

We made it and it’s fucking awesome. So, come on out to Martyrs’ on the 7th, and you can see what I’m talking about.

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First Things First

June 12, 2012

Let’s try to settle down into this right away.  First things first. Big thanks to Andy Olson of Ozone Design for helping me out with the new website design (and by “helping me out,” of course, I mean doing the entire thing for me). I know Andy from way, way back in the Iowa days. [...]

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Thomas Pace Releases Shaking Faith

June 3, 2012

This summer, Chicago’s Americana singer-songwriter Thomas Pace is set to release Shaking Faith, his fifth solo Cd and first since the release of the critically acclaimed New American Way in 2008. Pace marks the end of a two-year hiatus from music with a finely crafted, nine-song collection of moody and moving alt-country tunes that are [...]

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